See also this answer to a related question. The equal tempered BohlenPierce scale uses the interval of the thirteenth root of three ( 13 3 ). Yet another source of chords from outside the major scale are secondary dominants (and their related II chords), resolving to diatonic chords:Ī7 => Dm | => Em | => F | D7 => G | E7 => Am Other tuning scales use slightly different interval ratios: The just or Pythagorean perfect fifth is 3/2, and the difference between the equal tempered perfect fifth and the just. TGT Chroms - A Modding Tool for Friday Night Funkin. These other chord tones can also be borrowed from the parallel minor key, and the most frequently used chords are (again in C): If you combine the chords from the parallel (natural) minor scale and from phrygian, you get these additional triads in the key of C:ĭb major | Eb major | Ab major | Bb majorĪpart from these chords with root notes which are not part of the C major scale, you can also use chords with roots from the scale, but with other chord tones outside the scale. A chord with the b2 as a root can be borrowed from phrygian. Treble Clef Bass Clef, Ascending (Sharps) Descending (Flats), Starting Pitch: C D E F G A B To better understand chromatic scales, read Steps and Accidentals. The parallel minor key will give you chords with roots on all chromatic notes except for the b2 (the Db in the key of C) and the #4/b5 (F#/Gb). I am in urgent need of the finger settings for the following scale: A-sharp chromatic major double note thirds for both hands. Colors, in fact, are also made up from different frequencies, those of light waves. In this sense, chromatic scale means notes of all colors. When you think of it that way, the chromatic scale can take on its own sound. The set of all musical notes is called the Chromatic Scale, a name which comes from the Greek word chrôma, meaning color. That means it has no similarity to any other scale in your arsenal. The concept of using chords from a parallel tonality is called modal interchange. The chromatic scale contains every possible musical note. In a major key, it is quite common to add chords from the parallel minor key. Because otherwise the obvious answer is that if you allow any note, any chord could be added. For me the only way to make sense of your question is to interpret it as "which chords outside the key are frequently added to a piece in major?".
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